Enigma 419: Painting by numbers - From New Scientist #1569, 16th July 1987 [link] Instructions 1. You will need four copies of: labelled A, B, C, D. 2. Take A. The artist Pussicato signs th...
Wednesday, January 25, 2006
I woke up this morning thinking I must get a flour dredger to use for adding sand to my paintings. Which is odd as I've not painted with sand in over 10 years. In fact probably more like 15 years or more...
The way I was painting at the time of this tree involved a lot of acrylic medium and sand to make an interesting texture on the surface of the canvas. I always worried that it would fall off later but none of the pictures I did this way seem to have lost any bits. Painting onto the sandy surface was amazing, it was much more porus than canvas and the colours came out very rich, but it did use a lot of paint.
I'd been given the idea on a weekend art course but not shown any examples. So I piled on the sand. When I later went to exhbitions of the teacher's paintings I saw that she'd meant just a tiny scattering. On that course she'd also warned me about painting from good photos so I did this one from a terribly blurry one... The teacher was Ros Cuthbert.
Andrea has posted a really inspiring article today on how she does her paintings. She paints a sort of colour negative first!
And before I'd had a chance to finish writing this blog entry the photo of this picture on flickr has already been "favorited" so I guess I'm getting some encouragement to get out my acryilcs soon!